I was certain that at one point, there was intentional fraud along the lines of the old "change scam" where the person asks to change a twenty, then changes his mind about how the change should be split and gives one of the tens in exchange for ten ones, then says, "Forget it", gives that back and asks for the original twenty back, having already pocketed one ten.  Monsieur Lheureux (and, as it later turns out, the notary) were probably used to running that sort of scheme.
I can see the book being turned into a socialist metaphor with relative ease as a result. Emma, the everyman, is seduced by false promises that society makes about wealth and happiness and becomes a slave to the banking and merchant class (Lheureux and the notary) and is used by the ruling classes (Rodolphe and Léon), and the peasants around her who might have sympathized with her plight and organized to help her are kept down with ignorance and festivals, while the urban proletariat is alienated from the land and its beauty.
	I can see the book being turned into a socialist metaphor with relative ease as a result. Emma, the everyman, is seduced by false promises that society makes about wealth and happiness and becomes a slave to the banking and merchant class (Lheureux and the notary) and is used by the ruling classes (Rodolphe and Léon), and the peasants around her who might have sympathized with her plight and organized to help her are kept down with ignorance and festivals, while the urban proletariat is alienated from the land and its beauty.
		Political correctness is the pettiest form of casuistry.
ἡ δὲ κἀκ τριῶν τρυπημάτων ἐργαζομένη ἐνεκάλει τῇ φύσει, δυσφορουμένη, ὅτι δὴ μὴ καὶ τοὺς τιτθοὺς αὐτῇ εὐρύτερον ἢ νῦν εἰσι τρυπώη, ὅπως καὶ ἄλλην ἐνταῦθα μίξιν ἐπιτεχνᾶσθαι δυνατὴ εἴη. – Procopius
Ummaka qinnassa nīk!
*MySmiley*
	
	
	
	
	ἡ δὲ κἀκ τριῶν τρυπημάτων ἐργαζομένη ἐνεκάλει τῇ φύσει, δυσφορουμένη, ὅτι δὴ μὴ καὶ τοὺς τιτθοὺς αὐτῇ εὐρύτερον ἢ νῦν εἰσι τρυπώη, ὅπως καὶ ἄλλην ἐνταῦθα μίξιν ἐπιτεχνᾶσθαι δυνατὴ εἴη. – Procopius
Ummaka qinnassa nīk!
*MySmiley*
	
	
		This message last edited by Tom on 21/01/2011 at 09:41:35 PM
		
	
	
	
	
			/Discussion: Madame Bovary
	    
	         - 20/01/2011 06:22:50 PM
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			Re: /Review: Madame Bovary
	    
	         - 20/01/2011 07:20:36 PM
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			Emma didn't try to transcend her world.  She tried to escape it.  And she failed.  Miserably.
	    
	         - 21/01/2011 06:25:36 AM
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			I agree with much of what you say.
	    
	         - 20/01/2011 07:57:57 PM
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			I'm glad to hear that the read wasn't easy for you, either.
	    
	         - 21/01/2011 06:30:00 AM
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			Yeah, I think it's safe to say some of those words would give even native speakers pause.
	    
	         - 21/01/2011 06:37:02 PM
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			I'm certain it was intentional.
		
	         - 21/01/2011 07:21:45 PM
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			I want to read two more "serious" works before skipping over to Druon.
	    
	         - 22/01/2011 06:03:09 PM
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			Ambitious.  - 22/01/2011 06:26:59 PM
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	         - 22/01/2011 06:26:59 PM
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	     - 22/01/2011 06:26:59 PM
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	         - 22/01/2011 06:26:59 PM
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			Re: Ambitious.  - 25/01/2011 06:20:12 PM
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	         - 25/01/2011 06:20:12 PM
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	     - 25/01/2011 06:20:12 PM
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	         - 25/01/2011 06:20:12 PM
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			I'm halfway through the second part now
	    
	         - 20/01/2011 11:58:01 PM
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			My thoughts
	    
	         - 24/01/2011 06:48:13 AM
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			Never beats the reader across the head, eh?  So what do you make of the ending?
	    
	         - 24/01/2011 10:39:06 PM
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 So what do you make of the ending?
	    
	         - 24/01/2011 10:39:06 PM
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	     So what do you make of the ending?
	    
	         - 24/01/2011 10:39:06 PM
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 So what do you make of the ending?
	    
	         - 24/01/2011 10:39:06 PM
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			The ending fits with the rest of the book, I believe
	    
	         - 24/01/2011 11:04:02 PM
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			Hm. I think maybe it's because you've read the book before, as Tom admitted.
	    
	         - 25/01/2011 09:40:36 PM
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			Your comments are one of the reasons I've sworn off translations.
	    
	         - 25/01/2011 05:50:33 PM
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